Tuesday, 19 January 2016
Nottingham's Motorpoint Arena will be getting all Wet Wet Wet next month when the iconic British band comes to town on Sunday 28th February with The Big Picture Tour.
Selling over 15 million records whilst notching up over thirty UK chart hits including three number ones since coming to prominence in 1987, the legendary group have played to over 5 million people across the globe and the tour announcement coincided with the 20th anniversary of their huge No. 1 album Picture This which included the hits Julia Says, Don’t Want to Forgive Me Now, Somewhere Somehow, She’s All On My Mind, Morning and, of course, Love is all Around.
Lead singer Marti Pellow said “When we play together it always reminds me how great this band is and how proud I am of the armory of songs we’ve built up. We love to see the fans enjoying what we do on stage and we’re all looking forward to being on the road again”
Bass guitarist Graeme Clark said “We’ve been working on new material as well as looking into the archive and we’re looking forward to playing plenty of songs from Picture This to commemorate its anniversary alongside many other favourites.
Keyboard player Neil Mitchell said “Playing live for the fans is so important to us and we’re delighted to have booked shows all over the country and then some on this tour”
Drummer Tommy Cunningham said “We always put on a spectacular show and it will be no different this time around as amongst a few other surprises, we’ll have massive screens on stage to fit right in with the Big Picture theme”
Markus Feehily has been confirmed as the special guest for the tour.
Markus rose to fame as one fifth of Westlife, with the band’s 14 year career seeing them sell over 50 million records worldwide, achieve 14 No.1 singles in the UK and 26 Top 10s.
Markus, who launched his solo career earlier this year and saw his debut album Fire chart at No.2 in the charts, said: "I remember listening to Marti Pellow’s voice and being really inspired. It’s a pleasure to go on tour with Wet Wet Wet and I can't wait to sing in the arenas again".
Wet Wet Wet front man Marti Pellow Wet Wet Wet front man Marti Pellow added: "Markus has a great voice and as he’ll be performing a selection of Westlife and solo material, we’re in for a real treat. Anybody coming along to the shows is bound to have a great time".
Wet Wet Wet will perform at Motorpoint Arena in Nottingham on Sunday 28th February 2016. Full details including ticket prices can be found on the Motorpoint Arena website here
Monday, 18 January 2016
One of the most successful Irish novelists of all time, international bestseller, Strictly and Bake Off obsessive and Twitterer extraordinaire Marian Keyes will visit Nottingham Playhouse on Monday 15th February 2016
Talking about her new collection of essays, Making It Up As I Go Along, Marian will be sharing her thoughts and experiences on the tricky, tricky business of being a woman in today’s demanding modern world and offering comfort in the knowledge that, if we’re being honest, each and every one of us is making it up as we go along.
A global number one bestseller, Marian Keyes has written 13 novels, been translated into 33 languages, and sold over 33 million copies worldwide. A talented comic writer, Marian remains a prolific journalist and cultural commentator, appearing regularly on the BBC’s Strictly Come Dancing – It Takes Two, The Great British Bake Off Extra Slice and The Apprentice – You’ve Been Fired, while amassing a dedicated Twitter following. @MarianKeyes
Making It Up As I Go Along by Marian Keyes will be published by Michael Joseph (Penguin Random House) 11 February 2016, £14.99 hardback
An Evening With Marian Keyes is at Nottingham Playhouse Monday 15th February. Full details and ticket prices can be found on the Nottingham Playhouse website here
Thursday, 14 January 2016
Join Club Individual for FREE and enjoy an exciting variety of offers and rewards, when you dine at their collection of restaurants, which includes Piccolino in Nottingham.
This January, Club Individual members will receive 50% of their food bill back onto their card to spend whenever and wherever they like at any of the restaurants in the scheme which also includes Gino D'Acampo's restaurants.
Other benefits to the Club Individual Membership card include being the first to hear about special events and access to interviews and recipes.
You can sign up for FREE at the Club Individual website and remember your card must be active and registered to gain the complimentary 50% off food points.
Sign up for free membership: http://www.club-individual.co.uk/
Full details about Piccolino's restaurant in Nottingham can be found on their website: http://www.individualrestaurants.com/piccolino/nottingham/
Thursday, 7 January 2016
A new free exhibition chronicling the history of Nottingham's Boots No7 make up brand starts this month at Lakeside Arts at the University of Nottingham.
For the first time, previously unseen material charting key moments in the history of Boots No7 from its launch in 1935 to its development as an international beauty range will be exhibited.
Treasures from the Boots Archives not normally on display to the public, such as original packaging and advertising, original archive documents and museum objects have been brought together from Boots Archives, The University of Nottingham's Manuscripts and Special Collections and The University of Nottingham's Museum to show the wider social and cultural role of cosmetics from Roman times to the present day.
No7 was launched in an era soon to be transformed by the Second World War and the exhibition explores the social changes affecting women during the last eight decades and the extent to which No7 responded to them, charting the measures taken to counteract war-time shortages and the explosion of colour and choice in the 1960s to enable glamour-on-the-go.
The exhibition has been jointly curated by Sophie Clapp and Judith Wright from the Boots Archives, Dr Richard Hornsey (Lecturer in Modern British History at The University of Nottingham) and Manuscripts and Special Collections at The University of Nottingham.
"The history of Boots is deeply rooted in Nottingham, where the company was founded and where so many local people have worked and shopped. It seems fitting to tell the story of No7 on the University of Nottingham campus that Jesse Boot helped create. No7 was launched just as the modern beauty industry came of age, and it's fascinating to see how it has constantly adapted and grown from just a handful of products to an enormous internationally-available range. But this exhibition is not just about make-up, it's also the social and cultural story of the past 80 years, and how the changes are reflected in the products we buy and the marketing we see," says Kathryn Steenson, Archivist at Manuscripts and Special Collections at The University of Nottingham.
Posters, products, photographs and Boots staff magazines will be used to tell a decade-by-decade story of the cosmetic evolution of the modern woman and also on display is some Victorian advice for young ladies regarding their appearance, along with 20th century beauty advisors' notes that demonstrate the shift in attitudes to female beauty over the generations.
The Weston Gallery is open Monday to Friday 11am - 4pm
Saturday, Sunday and Bank Holidays noon - 4pm (Closed Easter Sunday)
A series of talks and a creative workshop will be held to accompany the exhibition, places are limited so booking in advance is advised with the Box Office on 0115 846 7777
Full details about the exhibition and accompanying talks can be found on the Nottingham Lakeside Arts website http://www.lakesidearts.org.uk/
Tuesday, 13 October 2015
This proved tougher to articulate than I anticipated.
Though what we had experienced matched the coming of age gigs by Nirvana and Oasis at Rock City for sheer sticky floor, spit on the back of the neck vitality and musicality, this felt somehow different.
That’s not to say that there was collective excitement at this moment, the end of a breakthough tour where after six years Sleaford Mods find themselves an overnight success with a top ten album, acres of newsprint, a film and even a new single with (gasp!) a humalong tune.
But more it was the sense of connection with their hometown audience and communal sense of passion.
In recent interviews Jason has used that word when speaking of his music as a reaction not only to Austerity Britain, but resentment of ‘The Man’s’ lack of compassion for those left behind.
So when like a local, demented, version of the ‘only-man-with-sight-left-walking-the-streets-of England’ from The Day of Triffids Jason holds forth that it's no longer just bad that we have sleptwalk into a world of Pound Shops, Foodbanks, Payday loans and local football teams who always let you down, but just plain unacceptable.
And when he screamed ‘Nottingham, we are your sons!’ it was with a passion that was immediately grasped and reciprocated by their adoring fans.
Monday, 5 October 2015
But this is a book written by an artist who has had years of refusal; he refuses to follow fashion, refuses to listen to critics and refuses to play anyone's game if he does not wish to. This, it seems, is the book Morrissey had to write. And yes- it's really not going to be to many people's taste because it is not written for many people's tastes. I don't want to give away plot details but it is a grimly gothic read full of dark secrets and plot twists one should expect from a lyricist who frequently calls on death, whether it's by bomb, premature burial, gangster, serial killer or double decker bus.
It is easy to pick out the mixed metaphors ( 'the woods are an eternal ocean'), the strange choice of names (a runner called Ezra Pound ), the shoe-horned in rants about Winston Churchill, fat kids eating burgers, Thatcher, animal slaughter, police brutality, and the now infamous 'bulbous salutation' (although my favourite euphemism in the book is 'his manly central issue' which is a work of genius). But there is humour and humanity here and some astonishingly poetic passages - the trainer Rims has many great one liners, an unexpected family death is movingly described, and some of the more gruesome scenes are shockingly visceral.
Morrissey has been criticised for not engaging an editor to pretty up his words. It would have been the easiest job in the world to sanitise and repackage- chopped up into nice neat chapters, sentences hacked back to polite lengths, no more digressions, no more adventurous use of imagery, no more surprises- let’s not put the reader into that that uncomfortable position of having to make up their own mind. But Morrissey only writes as he has to write and nobody has to read it if they don't like it. It is a similar reaction that Morrissey's ' Heaven knows I'm miserable now' lyrics received in the 1980s, when it seemed like most people wanted to hear about tropical parties and girls on film. We will never know who's right and who's wrong when it comes to matters of taste but Morrissey appeared in retrospect to win that battle and maybe he will win this one too.
Morrissey's literary influences are well documented (and t – shirted) and there is much literary and heightened, associative, stream of consciousness prose-poetry here- possibly influenced by Elizabeth Smart, Jack Kerouac, Ezra Pound, Allen Ginsberg- none of whom are particularly fashionable these days and none of whom have ever been easy reads- and all of whom have their many critics. I'm not arguing that The List of the Lost will take its place alongside any of these writers' works. But what will be more important to Morrissey, I suspect, is that he wrote the book he chose to write, with the same bravery and passion in which he has approached all his lyrics (and indeed the bestselling 2013 Autobiography) without the 'forces of containment' editing him into artistic emptiness.
Lyn Lockwood is a teacher and writer living in Sheffield. She has been listening to Morrissey since she first heard Reel Around the Fountain on John Peel in 1980-something.
List of the Lost is published by Penguin and is available in bookshops now.
Monday, 14 September 2015
The most fabulous sweeping staircase in town greets you in the entrance lobby of Alea's landmark building on Upper Parliament Street, enticing you to ascend to both their 24 hour state-of-the-art casino and Nottingham's very own branch of culinary's brooding bad boy beefcake Marco Pierre White's Steakhouse Bar & Grill restaurant.
Turning right at the top of the stairs takes you to the restaurant and through its glass doors a luxurious swish-nightclub style decor is revealed, exuding an alluring air of laid-back glamour. Inside, an ambiance that buzzes without becoming overwhelming attracts a mixed clientele of all ages and dress codes, from long gowns to casually smart attire, creating a refreshingly friendly and innovative mix of glitz and comfort.
An array of menu versions is available at the restaurant, including pre-theatre, Sunday roasts and a £35 all in one menu that includes £5 casino chips between two. But tonight we were dining confidentially A La Carte and had the whole steakhouse-experience selection of food to choose from which ranges hugely and brilliantly from sophisticated swordfish, venison and veal to the fun retro glam-rocking 1970s Classic Chicken Kiev and Prawn Cocktail. We chose to begin with the artistically arranged and deliciously indulgent Smoked Salmon with crème fraîche, decadently-dotted with caviar - which is a new addition to the menu along with the Macaroni Of Lobster main - and a visually delightful Cucumber Sorbet, refreshingly perfect as a super-light starter.
Ordering your steak well-done may be jokingly frowned upon in the menu but you can, of course, have your meat cooked any which way you wish and an excellent, attentive and unobtrusively-efficient waiting staff are happy to advise upon cuts of meat. And, small appetites be aware, because confidentially, these steaks are definitely top-quality heavyweights. The sirloin was an almighty piece of meat, a plump, thick, juicy, perfectly cooked knockout, living all the way up to to all that steakhouse-hype and arrived with quite possibly the mightiest chips ever seen, and garnished, finally and fittingly, with a mighty grilled tomato. If you don't feel up to going all out with a steak, the burger is a lighter, more informal option served in a comely brioche bun and still ticks all those high quality meat boxes, arriving served with more delicate pommes frites.
Finding room for dessert after two generously-portioned courses was a challenge but one which, we confidentially are able to report, we managed admirably. The 1930s Classic Knickerbocker Glory proved to be the perfect follow up to the sirloin steak, beautifully presented and raspberry-themed with cream, sorbet and ice cream layering down to fresh raspberries in syrup at the end tasting sweet, light and lovely whereas the apple crumble was crammed full with diced fruit, infused wonderfully with cinnamon and served with lashings of fresh cream. And to end our meal, tea and coffee were served with an icing-sugar dusted cube of Turkish Delight. Perfecto.
"The whole Marco ethos is that it's not just about the food, it's about the whole experience. It's about going out and having a nice time and we try to cater the menu around that too," explains Aimee McNiven, the Food and Beverage Manager at the restaurant. "We want nice things on the menu, we also want things on there that will make people feel comfortable and are not too pretentious. And yes OK, the prices are on the higher side, but that's because of the quality of the products served. So instead of going all 'gourmet chef' we've decided, let's be a steakhouse, but let's do the best steaks that we can do and so it's about getting the top quality products in.
"Our clientele varies completely. One day we might get businessmen in because they're staying in the hotel opposite, the next day it's a hen party, or we have celebrations, birthday dinners and anniversary dinners. People also come for Sunday roast lunches with their family as children are welcome, but obviously anyone under 18 isn't allowed any further than the restaurant. And I don't think anyone that goes in there feels awkward no matter what they're wearing, it's kind of a whatever-you-feel-comfortable-in dress code, if people want to come in glitzed and glam then lovely, we love that as well, but if they don't, fine, fair enough!"
If you are over 18 and you fancy your chances, you can extend the evening and enjoy some after-dinner entertainment at the Alea Casino which has free entry and offers American Roulette, Blackjack, Three Card Poker and Slots with a dedicated Poker Room. With very helpful and friendly croupiers on hand to advise any beginners, it's a fun way to spend a Saturday night, with the thrill of taking a chance on the roulette and card tables whilst pretending to be in a Bond film in ultra-modern, slick, stylish surroundings.
You can see our Nottingham Confidential Marco Pierre White Steakhouse Bar & Grill At Alea Casino photo album in glorious technicolour on our Facebook page here
Further details, including the full menus for Marco Pierre White Steakhouse Bar & Grill at Alea Casino, are available on their official website http://nottingham.aleacasinos.com/
Monday, 10 August 2015
There's only one thing better than going to a nice restaurant for a nice meal and that's not having to go to a restaurant and have the nice meal brought to you instead and that is the scrummy premise of the UK delivery service Deliveroo which rolled out in Nottingham city centre and West Bridgford earlier this year.
Working with a tasty mix of gourmet local independents together with well-known established chain restaurants, Deliveroo operates in zones of a 1.5 mile radius of the restaurants to keep delivery times down and the food fresh and warm and offers a selection ranging from Japanese sushi to Pan Asian BBQ to American Grills and Persian meals as well as Deli food from Nottingham's Alley Cafe, Sobar and Aubrey's Traditional Creperie.
With our stay-at-home tastebuds delectably tickled by the prospect of enjoying quality restaurant food in the comfort of our own jim-jams, we plumped for an order from Italian cuisine supremos Carluccio's and found ordering from the Deliveroo website happily straightforward and user-friendly. After entering your postcode and choosing a time slot that can be booked up to a day ahead and in fifteen minute intervals, a list of available restaurants is displayed to choose from, where you continue to order food and create an account with a £2.50 delivery charge and option to tip the driver all included, thereby dispensing entirely with the need for pesky cash and after which your food will be pedalled to you on bikes as fast as legally permitted.
Our delivery arrived bang on time and smartly packed in black and clear plastic boxes and included a tasting trio of pastas with a particularly delicious Luganica with a spicy Italian sausage sauce, a butter-glistening Ravioli and a gloriously mushroomy Pasta Con Funghi, complemented by olives, garlic bread and salad and followed perfectly by an intoxicatingly liqueur-drenched Tiramisu and zingingly tart Lemon Tart, all suitably warm or cool and crush-free and reliably Carluccios-a-licious.
It's a slick, satisfying, lip-smacking service and if you're lucky enough to live in the NG1 and NG2 catchment areas of Deliveroo, this is a proper culinary game-changing tasty treat with an array of foods on offer guaranteed to meet any not-going-out moods and needs. Deliveroo also tell us they "do have plans for other zones" in the future for more Nottingham suburbs so keep an eye on our Nottingham Confidential Twitter feed and we'll let you know as soon as it's announced when Deliveroo will be delivering to you-hoo too.
You can order from Deliveroo on their official website https://deliveroo.co.uk
Friday, 5 June 2015
Summer is in the air, Splendour Festival is coming on July 18 and Nottingham's beautiful Wollaton Park will be hotting up with a scorcher of a line-up across three music stages, phew!
Headlining the all dayer will be the eagerly-anticipated legendary 2 Tone revivalists The Specials on the main stage along with special guests James who'll be playing their anthemic hits ‘Sit Down', ‘She’s A Star’ and ‘Laid' plus music from their 13th studio album La Petite Mort which was released last year to critical acclaim. And headlining the Confetti Stage will be none other than Bananarama, one of the most successful all female pop bands of all time with no less than an incredible 32 Top 40 UK hits, followed by Birmingham indie-rockers The Twang and Mansfield band Ferocious Dog.
Meanwhile, cheeky-chappie Brummie Andy Robinson will be compering the Funhouse Comedy stage which will showcase performances by D. Montfort, the Sunderland psychic creation of character comedian Tom Binns, musical comedy act Lost in Music, presenter Ellie Taylor of BBC3 dating show 'Song, Marry, Avoid', Aussie improviser John Robertson and musical comedy duo Jollyboat and there'll also be plenty of entertainment for children at the festival including fairground rides and a free kids area hosted by Big Top Mania, featuring circus skills workshops and shows, crazy inflatables, giant bubbles and Big Bear's Big Balloon Disco.
Splendour 2015 Line Up:
To Kill A King
NUSIC Competition Winner Suspect Alibi
Andy Robinson (Compere)
Ian D. Montfort
ACOUSTIC ROOMS STAGE
Molly and Jack
Tickets for Splendour start at £20 for 11-17-year-olds and £34 for adults with a citycard. Children 10 and under go free. Available from www.splendourfestival.com
To get the latest line-up announcements and festival updates go to www.splendourfestival.com or like www.facebook.com/splendourfestivalUK or follow @splendourfest.
I have never tried Asian street food before but after visiting Time Out cafe, a brand, spanking lusciously new venture, I could happily eat it every day as I'm sure I've only skimmed the surface of all the delicious flavours and new food experiences it could offer me.
Located on the first floor at 14-16 Wheelergate, we were signposted to our destination by a board outside the unobtrusive entrance. We climbed the stairs to a large, spacious cafe. A bar at the front and tables, chairs and sofas scattered here and there giving an impression of a chilled out space where people can relax and have plenty of room to themselves. They even have a sofa in one corner where you can play on the Nintendo 64 or PS 3 with loads of games to choose from. We sat at the end of the room where there is a large, wall length window looking down on the street below (the best spot in the cafe).
My companion and I weren't sure what to order as there was so much choice and we were new to this experience. We had a selection from the tapas menu after some recommendations from the manager.
My companion had Vietnamese spring rolls whilst I had the veggie ones. Forget what you know about the spring rolls in Chinese restaurants, these were a revelation. So light and tasty. The Vietnamese ones contain minced prawn and my companion couldn't stop talking about how wonderful they were.
Next came the Korean BBQ burgers, 3 mini burgers in brioche buns. Confidentially, these were my favourite. In an establishment selling Asian food I would expect burgers to be the food that customers turn to when they're looking for something familiar. But no!!! These burger were full of flavour and spice, all going together but I have no idea what went into these. The meat was really juicy and tender, and the bread was fresh. But wow, the flavours were amazing. My companion also enjoyed these so much that she had two and I only had one, hmmmmm.
Then we had the Thai Grilled pork skewers. Nice tender pork and what really livened these up was the hot and tasty dipping sauce. Bit hard to dip a skewer once you've eaten the end of it, so I poured the sauce over mine. Lovely.
By the time the chicken Karaage arrived (deep fried chicken) I was quite full and only managed a couple of pieces. Tender pieces of chicken thigh with a crispy batter and a wonderful salty, hot dip. Again it was the dip that lifted this dish from the good to the fab.
The staff were all friendly and attentive and the food arrived in a reasonably amount of time. All the food was freshly cooked to order.
I would recommend this place whether you're on a budget or not. The tapas is great for sharing and also if you want a light lunch. I looked on with jealousy as some delicious looking main meals were being served and next time I go I'll try one of these. Still all affordable though as the tapas is around £5 a dish and the main meals are around £7.
The cafe stays open until 11pm Tuesday till Saturday, so don't just go for lunch go for dinner too.........and then maybe a late night snack.
I'm starting to feel hungry just thinking about Time Out Cafe.
Tuesday – Saturday 11.30am-11pm
Monday, 25 May 2015
Silent films are big business worldwide! Yup, you heard right: silent films – no words, just pictures and music. The huge critical and commercial success of The Artist (2011) and Martin Scorsese’s Hugo (2011) served to highlight the fact that not only are they experiencing a renaissance, in many ways they never really went away. However, even in 2015, no single website catered comprehensively to the needs of fans worldwide – until now. Building the world’s biggest and best silent film website has been the dream of local boy Brent Reid for years – now he’s well on his way. Here’s how and why he got started.
How did you first get into film; what’s your earliest film memory?
Like many I was fascinated by films on television from an early age I guess at that point I was mostly interested in fantasy, action and adventure-type stuff: wizards, war films, westerns and especially anything with monsters or dinosaurs in. Then as now, the name Ray Harryhausen (stop-motion animation wizard) in the credits was always a guarantee of quality!
I basically first became aware of film-watching as a special, theatrical experience when I was old enough to take myself, from the age of around 7 or 8 (!) to one of the surviving handful of ‘proper’ original cinemas that were still operating in the city centre back then. Sadly, the only one still remaining is the Savoy on Derby Road. Use it or lose it, people!
Why is silent film still relevant today?
They’re still entertaining – very much so. I’m on a mission to demonstrate to non-believers and the as-yet-uninitiated that they’re far from being just for film buffs and beard-stroking academics – and that’s just the women! The best silents, with a quality presentation, are every bit as potent and affecting to everyone, regardless of age and background, as they were first time around.
The influence of the silent era (1890s–1930s) is absolutely everywhere too. Modern filmmakers pay homage to it constantly; there’s barely a day goes by without me coming across yet another overt silents reference in a film, TV programme, computer game, music video or, especially, friends’ kids’ cartoons. Do you like WALL-E? he’s an amalgamation of Charlie Chaplin and Buster Keaton, two of the silver screen’s greatest-ever comedians, and the film itself is a quasi-silent one. Heard of Metropolis (1927)? If not, maybe you’ve heard of Star Wars, because that’s where C-3PO was born. So too was the dystopian vision of Gotham City in every Batman outing since 1989. (Speaking of which, Batman himself was based on silent film action hero Douglas Fairbanks, as was Superman!) How about Lord of the Rings? Yup: Metropolis is in there again. The list goes on and on. And on. That’s just one film – most people are already silent film fans and don’t even know it yet!
Additionally, much of the style and glamour of the silent era remain resolutely at the cutting edge of fashion and design and show no sign of ever fading.
One last crucial example of the silent era's ongoing relevance: incredibly, women in the film industry have never since enjoyed such wide-ranging power and autonomy as they did back then. They frequently rose to the top as some of the most highly-paid actors, directors and producers of the day. What's more, around 50% of all films made before 1925 were written by women; now it's around 10%. So much for progress... We seriously need to catch up again!
What first inspired you to start the website?
Easy: no-one else was doing it and I was fed up of waiting! I saw what was lacking online from the start and countless other silents fans I’ve met at screenings and film festivals, both at home and abroad, agreed it was a great idea. However, after unsuccessfully spending over a decade trying to cajole other, more tech-savvy folk to start such a site, it was clear that no-one actually wanted to take on such a huge task Eventually I took a deep breath and one year ago jumped into the heady world of social media to start heralding the site’s arrival, whilst simultaneously working on it. Finally, I just recently launched the site and got an immediate, great response. Tens of thousands of visitors already – and this is just the start!
How is Brenton Film different to other film sites?
That would require a whole article in itself, but fundamentally, I’m, trying to amalgamate and build on the existing global silent film community. Though in the real world it’s a thriving and healthy one, online it’s extremely fragmented, with a greatly diminished reach as a result. There are many smaller sites and blogs that do some parts of what I’m doing, but no single site is doing all of it. In addition to that, mine has several features that are unique, at least in the world of silent film. Chief amongst these is the Worldwide Events Calendar, the first of its kind I aim to get every relevant happening on there eventually. There are hundreds of them, on every continent, scheduled at any one time and it would be impossible for one person to keep track of them all. Therefore the calendar is a special interactive one that allows promoters and fans to upload dates themselves. I've got BuddyPress on there which is a sophisticated social networking facility. There are also features that people are more familiar with: chat forums, articles, news, reviews, prize giveaways, etc.
Brenton Film, including its calendar and forums, is built using WordPress so the entire site is completely integrated. Amongst other things this means that once you’ve signed in, using your own password or a social media account, you have the ability to create your own profile and post anywhere onsite, including leaving article comments, etc. I’m not claiming this to be unique but it must be a bit of a rarity, because I haven’t come across it anywhere else yet!
All of this is also promoted with targeted advertising and a large and very active social media presence, which are things that much of the silent film world in particular has been slow to adopt. I guess 'community' and 'interactivity' are my watchwords. I may have built the site but it really is intended for everyone to use and actively participate in.
How can people in Nottingham get involved?
Easy: use the site! Sign in, leave comments and post in the forums. If you know a lot about silents, share your knowledge; if you don’t know much yet, ask questions! Guest articles are always welcome: click here to contribute
Eventually I’d love to bring a proper silent screening – or even series of screenings – back to Nottingham. Somewhere a little out of the ordinary would be cool, like inside either Wollaton Hall or St Mary's in the Lace Market.
Any there any other Nottingham connections?
Well, Alma Reville, or Mrs Alfred Hitchcock, as she was otherwise known, was from St Ann’s! As any true Hitch fan will know, she was well-established in the film industry before they met. Afterwards, she continued to be instrumental in the filmmaking process and was almost as much a part of all his films, including his silent ones, as he was himself. There are many other luminaries of the early British film industry that were born and brought up in Nottingham, amongst them Jackeydawra Melford (her actual, real name!), Holmes Herbert, Billy Merson, Norman Page and Sebastian Smith.
You want more? The history of film exhibition in Nottingham is as old as film itself, with the first public screenings occurring from 1896 onwards, just a few months after the Lumière brothers débuted projected motion pictures in Paris. Far more recently, the British Silent Film Festival, one of the finest such events anywhere and my first real induction into this wonderful world, had its home at the Broadway cinema for a decade. Since sadly having to depart in 2009 it’s become a nomadic one; this year it’s being held in September at Leicester’s Phoenix Cinema. Make the trip: you'll meet lots of lovely folk, have your filmic horizons broadened inordinately and might just become addicted too!
What’s your favourite cinema in Nottingham?
Why, the Savoy Cinema, of course. The last remaining bastion of my childhood cinematic dreams, I absolutely love it there. I’ll even tell you my favourite seat: Screen 1, front row centre, right of the aisle – my happy place! Note that this grand old lady celebrates her 80th birthday this November; I’ll see you at the party!
Brenton Film: The past, present and future of silent film